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Reel

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The reel is thought to be the oldest dance associated with Scotland and the term is used not only for a tune type, but also a dance step or a dance figure. The earliest mention of reels is in the report of the famous witch trial in North Berwick in 1590, where Agnes Thompson was said to have “daunced this reill or short dance” playing “upon a small trumpe called a Jewes trumpe” (i.e., a jaws or Jews harp). The reel has been a very popular dance tune in Shetland; the Shetland reel was the main kind of dance there until around 1900. Many reels were published in 18th and 19th century collections of Scottish music, and new reels are still being composed today.

Reels may be performed on any instrument, or sung to a text. As songs, these pieces are called mouth music or, in Gaelic puirt a beul (pronounced poorsht a beeyul, literally, “tunes of the mouth”). Reels can accompany dancing, where several reels may be played as a set of tunes, each tune usually being played twice.

Well known social dances which employ reels include the Eightsome Reel (a country dance popularized in its modern form in the late 19th century) and the Dashing White Sergeant (a “round the room” dance). If performed for listening, reels may form the exciting climax to a march, strathspey and reel set which gradually gets faster.Reels have two sections, each being repeated to give an AABB binary structure.

Select a Reel below to find out more about it:

  Mrs MacLeod of Raasay   Broderick's Bodhran   Kate Dalrymple   Ruidhlidh na Coillich Dhubha