LISTENING / WATCHING
PROGRAMMES OF STUDY
STRANDS
LEVEL A
LEVEL B
LEVEL C
LEVEL D
LEVEL E

Listening
for infor-
mation, in-
structions and directions


The teacher will devise short messages and other functional listening tasks arising out of the daily business of the class and pupils' experiences. By discussing in advance the purpose of their listening, and by showing them how to anticipate what will come next in the text, the teacher will help pupils to process what they hear. Some of those listeners' tasks will involve pupils in carrying out simple directions and instructions. They will have regular practice in listening to their classmates' news and responding to it in some way.


The teacher will continue to make opportunities for functional listening within class and school, but messages and tasks will contain more information. Pupils will, for example, listen in order to convey real messages to another class or teacher. Through role-play or real situations, they will begin to handle information received on the telephone. Since accuracy of recall will become more important, pupils will learn to make rough notes as they listen. They will report briefly in writing or orally on what they have heard. They will also be encouraged to ask questions to secure understanding.


At this level, listening activities will include items such as schools' broadcast programmes. The teacher will help pupils to benefit from these by preparatory briefing and follow-up discussion. Note making will become a regular practice. Working individually and in groups, pupils will be asked to produce short oral or written accounts of what they have heard and where appropriate make illustrative diagrams. They will learn to use audio or video recorders to recall and review what they have said.

The teacher will extend the range of listening texts to include functional items such as news and documentary materials from radio and television. Pupils will have opportunities to listen to talks and interviews given by classmates or by visiting adults, and will learn to ask questions appropriately. They will also learn to listen to expositions which are illustrated by overhead transparencies. They will regularly be expected to digest information, make choices and apply what they have learned.



The diversity and demand of functional listening will continue to grow and will include the requirements of the main areas of the curriculum. By this stage pupils will be learning to listen for particular purposes: they will, for example, listen to pinpoint specific information; to gain a general impression of the gist of a text; or to follow closely the line of an argument or explanation. Development of these skills will benefit from practice and discussion in pairs and groups, with teacher support.

Listening in groups


Planned opportunities to talk together will occur regularly in class activities. By participating and being a good listener the teacher will show the value of listening attentively; how speakers can refer to and use what others say; how members should respond by taking their turn. Discussion is likely to be guided by the teacher. Taped discussions will help pupils think and talk about their performance.



In small group discussions of brief tasks, the teacher will highlight the need for relevance and accuracy. Through involvement in the discussion, the teacher will encourage pupils to ask and to answer questions and to make reference to information contributed by others which furthers the exploration of the text. Pupils could be encouraged to undertake different roles, for example leading a group, being secretary, or reporting the group's discussion to the teacher. By listening and watching audio/video recordings, the pupils can discuss their performance as a group and become aware of good role models.

At this stage pupils will have a greater autonomy in the choice of topic to be explored in discussion and will be aware of their own role and that of others in one-to-one or group talk. Teacher support will be less evident but will still offer guidance and give direction as necessary. By listening carefully, the pupil will identify relevant information, ask and respond to questions by offering comments or opinions, recognize gestures and eye contact and use these as cues to extend the discussion. Class debates could offer more formal contexts for listening and responding.

Pupils will now be familiar with the process of listening and responding in group discussion. They will be able to recognise cues which help them to sustain a brief line of argument or reasoning. They will learn to offer and justify their own opinions, offer alternatives and raise issues, using language or terminology which is appropriate to the topic. In these longer discussions the teacher's role is that of participant member, offering opinions, supporting or challenging a line of argument, asking questions. In analysing a taped performance, the pupils will recognise key points in the discussion. As an introduction to self and peer assessment, pupils could examine the roles played by themselves and others.


The topics discussed will be produced by the class or group and may involve the pupils in research. Group discussion will now be a natural part of class activity. In group discussion, pupils will listen and respond to different points of view by accepting, justifying or challenging these. They should be taught to do so in a way which shows awareness of others' feelings and continues to add to the line of discussion. An assessment schedule could be devised by the teacher and pupils to assist in self- and peer-assessment and establish an understanding of the listening process.


Listening in order to respond to texts

Texts should be simple but varied and appropriate to age and stage. They will be supported by illustrations or moving pictures. The teacher should introduce each text, question the pupils about their expectations as it proceeds and invite recall of straightforward features. The pupils can respond individually or in corporate discussion. A listening corner is valuable.


As texts become more demanding in language and structure, the pupils' attention span will be developed. Stories and drama, whether in print, sound or moving image, will have more characters and more complex plots; poetry will have simple imagery. Through discussion with their teacher and with their peers, as well as through performance and role-play, pupils will have chances to explore characters, their feelings and their moods. By talking to individuals the teacher will be able to assess a pupil's level of response and recall.


Texts will have a broader range of language, ideas, themes and treatment. Pupils might consider the feelings, beliefs, attitudes and relationship of characters. They will continue to respond by investigating a text using discussion or a dramatic approach, but should now also be giving their personal response in writing. Where appropriate, they should consider the contribution to the text of simple aspects of, for example, sound effects, music, lighting, camera positions, set and costume design.


Pupils' experience of listening can now extend to texts in which there are characters whose emotional conflicts remain unresolved. Likewise, they can deal with real-life situations offered by the mass media or by their local community. Such texts should be short at this stage, for example a chapter from a novel or a single news item. The teacher will have to support pupils in their responses, giving them the chance to reflect on the issues and involving them in discussion to suggest resolutions.


Increasingly, pupils can be asked for a personal response without preliminary discussion. In their responses they will now make some reference to their own experience and to other texts they have studied. They will still, however, need to be supported by the teacher when tackling more complex aspects: for example, how a character is suggested; how a narrative is structured; how to distinguish between a character's own point of view and what the author feels about it. The concept of authorship can be considered: who, for example, is the author of films, news stories, or television programmes?



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© The Scottish Office Education Department, June 1991