DRAMA

Most children will come to school with extensive experience of imaginative play through which they will have begun to explore aspects of the world and characteristics of the people around them. In drama, this familiar and powerful way of learning is exploited as pupils engage in activities where they are given opportunities to develop their knowledge and understanding of themselves and their relationship to others and to real-life events. By engaging feelings, knowledge and experience in this dynamic and enjoyable way, creative and imaginative thought is stimulated and confidence and self-esteem enhanced. The effectiveness of using drama in this way will depend on the relevance of the context to the pupils and the opportunities it affords for challenge and commitment.

The teacher should help the pupils temporarily to suspend the 'normal' world of the classroom and its relationships and through observing, questioning, challenging and supporting should seek to promote individual and group responses and the development of insights into both the particular context and the drama process itself. On occasions the teacher will operate within the drama, taking a role and varying it as necessary to serve the action, introduce dramatic tensions to help reinforce mood, or alter the pace of the action.

Drama provides excellent opportunities for collaborative group work based on pupil interaction as they vicariously explore increasingly complex, and sometimes difficult, attitudes, values and behaviour in the relatively safe, secure and supportive context of the drama activity.

Many of the contexts for drama activities will relate to other areas of the curriculum and the key place of dialogue in drama creates obvious opportunities for links to be made with work in language.

Progression in Drama


Contexts for drama

Children's natural involvement in acting out provides an excellent starting point for drama in classes at the early stages of the primary school and the provision of plentiful opportunities for young pupils to engage in drama activities, in a variety of contexts meaningful to them, will allow the development of confidence and a greater appreciation and understanding of others and their situations.

At this stage, the teacher is likely to be mainly involved as a facilitator and helper, leaving the pupils to find their own ways of representing, expressing and communicating, sometimes within contexts established by the teacher and sometimes in those originated by the pupils themselves. This teaching role and way of working should remain a part of the teacher's repertoire at all stages, but as pupils progress, there is likely to be an increasing emphasis on the use of drama as a means to further understanding of particular situations or issues, often arising from work in other areas of the curriculum. These may relate directly and immediately to pupils' own lives or to more distant themes, topics or issues. Where this second possibility is the case, it is important that the teacher ensures that pupils have been given sufficient information and support to allow them to relate meaningfully to the situation they are to explore through drama.

By the upper stages of the primary school and into S1 and S2, pupils should be able to explore through drama some quite complex situations and issues, some of will have arisen from their own interests, enthusiasms and concerns.




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© The Scottish Office Education Department, June 1992